When Jerome lived in LA we would work in the same studio off two different setups and literally just pass a USB containing bounced stems to one another; now, with him being in Houston it’s essentially the same thing but through an online server. Sometimes, if he wants to to tweak a sequence specifically I’ll send him the preset of whichever synth was used and all FX insert settings that accompany that sound.
He [almost] always arranges the final mixdown on his rig. This way, I’m onto belting the next ideas whilst he’s finalizing the current track. It’s a super-efficient workflow; by the time I get back the first draft of the master, he receives from me the first draft of a brand-new track that I started during that time.
