Awesome video! Had to purchase some of the plugins used after I watched it! One if my favorite bands!
Iāve learnt soooo much from this. Nice work!
Hmm. Itās a great track and heās obviously a talented guy, and good to listen to. But this tutorial skips so much stuff I feel quite short-changed.
Eg: how were the samples chosen and why, how did he come up with the chords/melodies, often we donāt even get to see the notes heās played (??!??!!), how was the song developed, why were specific plugins used, how were the synth sound created. Unless the idea was just to show use the presets and plugins used, but thatās hardly a tutorial.
Very good tutorial on the technical stuff !!! Love the band, really crafting the sound and the vibe, and the musicality is great too. Guys that complain that heās not showing the notes or chords- train your ears, itās really simple melodies, if you canāt get them by ear you should work on that first, otherwise how you gonna make your own good melodies if you donāt hear them?
Iām a fan of Tim & Tyler and came here stoked to take this course. Like many of you, Iād imagine, I read the comments first and was disappointed to see so many people pronouncing it rubbish, but I dove in anyway and I am really, really glad I did. Hereās my take: there are 2 sides to putting out a great track, thereās the creative process of writing the melody (and lyrics if you have 'em), choosing the instrumentation and turning them into a song, and then thereās the production of the song, a process that generally takes 'way longer than writing it in the first place. Here, Timās already got the recipe for the cake, and now heās showing us how he baked it. If youāve come here looking for tips on crafting melodies and creating synth patches, yeah, I can see where youād be disappointed, but as a production how-to, this tutorial is gold. Sculpting individual tracks with EQ and dynamics to make them sit in the mix, bussing tracks and effecting the busses, why youād want to put your filter ahead of the reverb instead of after, combining 2 bass instruments to come up with a beastly bottom end and then cutting the lows on it bass to make it sound even betterā¦ this is great stuff. If youāre not already using the dozens of techniques that Tim lays out here, open up whatever track youāre working on right now and give 'em a go, I guarantee youāll be amazed, cuz I was. If you want to be a better producer, donāt be put off by the thumbs-down reviews; get in there and get some mad skills.
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Thank you for taking the time to give a very objective & constructive comment on this course, that should help others to decide if this tutorial fits their need or not. Like you mentioned many people are expecting to see all details like the midi notes & patches programing, maybe looking for easy replication. The technical & production tips & tricks are far more important, and thereās a high level in this course.
For you guys that have been trying to workout how to get the āDreamy Synthā sound into your DAW of choice: in the Resources .zip file (up top under Course Resources) thereās a demo version of the NI KONTAKT instrument AND a folder containing the .wav sample files for the instrument (cuz KONTAKT is basically a sample playback device at its core). Grab those samples, map 'em across the keyboard on your software or hardware sampler (Iām a Reason guy so thatās NN-XT for me), increase the the decay and release on your AMP envelope, and youāve basically got the Dreamy Synth. The KONTAKT instrument also does some subtle modulation of a lowpass filter envelope with each key press, you could certainly do the same for extra credit! 
Tip: The A samples are named an octave too low, so A1 is actually A2, A2 is A3, etc. So for the first octave, your mapās gonna be:
C1.wav
D#1.wav
F#1.wav
A1.wav
Rinse/repeat
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If youāre following along with Spire: the preset for the Bell synth is sws_keys_kingdomh from Sample Magicās āSm101 Synthwave Soundsā sample pack. Bass Part 2 is sws_bass_last from that same pack. https://www.samplemagic.com/details/430/synthwave-sounds
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To all the moanersā¦ if you put the same energy into making music as you do complaining it might help you more.
Donāt you get it? The fact Tim canāt remember where he found the preset IS the lesson.
There is no exact formula for making great art. The creative process involves experimentation, luck, and the stars aligning at just the right moment. A pinch of this, a dash of thatā¦ until it starts to sound awesomeā¦ Tim canāt teach you that magic because he doesnāt even know where it came from him himself.
He played those notes because of a lifetimeās experience if listening to and absorbing music. And then letting it flow back out through him. The melodies arise from the sub conscious. And if itās not in your subconscious then youāre not going to get it from a tutorial. You get it from hours and hours of listening to music and from hours and hours trying to create music.
It may not the the greatest audio engineering course but as a look behind the scenes at how The Comeback Kid was created itās awesome. Thanks Tim and Sonic Academy
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thank you for the tips,
very interesting to see a project made by a pro !
I can not ignore the tutor hitting the ācopyā button after almost every move. It is just muscle memory from times when it was necessary in any way? It never results in any pasting whatsoever?
But that ācopyā button thing did not take me away from watching a pro making a great track. But it kind of went on like talking with somebody really interesting, and he or she is constantly touching his nose after every sentenceā¦ 
Love your stuff & the Midnights Music!!! Thanks for the videos. looking forward to seeing more stuff from the midnightā¦ maybe āLost Boyā is next??
This was a really great course. I enjoyed seeing the track put together.
Very useful tutorial, I have learned a lot.
Iāve been looking all over for how to get the 80s sound. LOVE THIS!
Iām still thankful for this. Almost no bullshit, wait, no bullshit! Thanks The Midnight!
Awesome Tutorial!