Anyone else into that Burial'ish Post-Dubstep?

Been really getting into it a lot myself.

Need to stop really as time zooms past when I start listening to it…

Found this really cool mix someone did of a bunch of these styles of tracks:

BurialStep - Ambient Dub / Dark Garage Mix (1/2) - YouTube



I personally am loving Spor’s new sideproject Seventh Stitch, some quality stuff if you listen to Heart Beats For and Incessant…

Heart Beats For = AMAZING: Seventh Stitch - Heart Beats For - YouTube



Definately a pleasant change of music to my ears…



Anyways, what do you lot think of it?

[quote]MistroPain (03/09/2011)[hr]Been really getting into it a lot myself.

Need to stop really as time zooms past when I start listening to it…

Found this really cool mix someone did of a bunch of these styles of tracks:

BurialStep - Ambient Dub / Dark Garage Mix (1/2) - YouTube



I personally am loving Spor’s new sideproject Seventh Stitch, some quality stuff if you listen to Heart Beats For and Incessant…

Heart Beats For = AMAZING: Seventh Stitch - Heart Beats For - YouTube



Definately a pleasant change of music to my ears…



Anyways, what do you lot think of it?[/quote]



it’s nice music, organic, loose and futuristic. I heard Burial made the first album in soundforge you know… does everything off the grid.

Untrue is a great album! Infect I’m gonna dust it off later :wink:

Yeah to the soundforge thing.

1st one is Savage. 2nd one is wkd too… Love that garage-y vibe.

Fkd’d up music - would love to hear it on a proper fk off soundsystem :smiley:

Burial’s new upcoming work is pretty awesome too, though I think his Burial and Untrue EP’s had some much better pieces in them (the EP aint out yet so cant judge just yet).



These tracks just send that shock right up your spine (at least it does for me) and I am loving it :stuck_out_tongue:



And yeah I heard about that Soundforge thing, you gotta be a genius to produce quality tracks from that thing, its just so limited compared to most DAW’s though it could be the limitations which gave his tracks that edge?