not really that happy with it, its too long, maybe i should just give up
<EMBED height=81 type=application/x-shockwave-flash width=“100%” src=http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F11830804 allowscriptaccess=“always”> noizefloor (unsigned) by MUSSELWHITENice kick! 
I like it - The whole thing sounds cool… but if I was to say anything about it, I’d say that the changes should happen a bit quicker.
Have that 303 coming up a bit more, then dropping off… changing again. Take everything out but the kick & bass somewhere… and build it up again.
You probably need some kind of mad sweepy noise coming up at some points. Maybe if you had a section in the middle with just the kick & bass, you could introduce something like that… not talking about white noise, or a riser particularly… but if you get a demo of Absynth ( Demos have a 30min time limit… ) and literally get a mental pad (or 2) out of it… record it & stick it through a EQ / bitcrusher / delay / reverb / comp. Do a eq or volume fade up.
Something random like that might inspire ya! 
Do the rims need a bit of dropping in & out? You could add the proverbial reverb / delay rise to them at some point :w00t: Reintroduce them then in a bit… maybe pitch them up / down as a fill going into the ride or something. Love the way the ride /extra hats come in… bang on. Those parts really pick up the pace…
Really like it - Sounds class. Really full & heavy in my h’phones Mate. Love the bass.
Thanks for the feedback mate. I did think about a fkd up synth but could nail anything down. My thinking was to make something noisy a bit deep and not much going on. You you get those tech tracks that dont do much but you fkn love them ? That’s what I was trying. Some of the timing is off to, hats, ride coming in out etc. didn’t want it to be to formulated.
Thanks for the kick tip
12 min is far to long lol
Is it 12mins? LOL Didnt realise
I think its all there… lots of good parts… but it probably would be better as a track thats changing every 8bars… rather than 16.
But maybe if you had that 303 coming in a bit earlier… and then replace it with a different sound.
For a trippier track, fade different sounds in & out with the crossfader in the background?
You can still have your main sounds coming up as normal regardless.
I was trying that out with 2 delayed Pad sounds in Live. Lets you keep the groove going, but the background is constantly moving… route the 2 channels through to one channel & have the reverb, delays on that… so that they share the same sound.
Just to add I recorded it live, you know on the fly. Put my headphones on add closed my eyes. Then edited bits afterwards. Think I got carried away lol that’s why it’s so long. It could be the extended album version lol could get some remixes done maybe:)
Yeah… thats great craic, isnt it - Thats what I like doing. You can get really into it.
I sometimes record different versions though. I’ll keep the original project, with no arrangement in it & rename the ones that come after that - 1, 2, 3 etc…
Personally… when I’m spending too long fkn around with it, I’ll normally cut to the chase, and go back to the start… might bring a couple of new tracks back into it.
After thats when usually then when I hit problems! Start getting tired of it for one reason or another :hehe:
Can’t really add more than you both have already - would have liked to have heard a few drops - and some pads but nothing that can’t be fixed
Nice one 