In this course we take you through some in-depth techniques for getting in and out of breakdowns.
We look at morphing from a stab sample to riser to a bass sound and some creative techniques for resampling reverbs to make them into awesome risers!
In this course we take you through some in-depth techniques for getting in and out of breakdowns.
We look at morphing from a stab sample to riser to a bass sound and some creative techniques for resampling reverbs to make them into awesome risers!
Thanks for this. Tutorial #4 was killer. Super cool Trick
Is the project file for this available?
Thanks as always Phil!
Thanks for the lessons but FYI Intro and Tutorial 3 videos are corrupt or something, they’re not playing back properly
Thanks for the great tips in this course.
Gr8
Thanks for bringing me on to the sonic team.
Hey @knowatmusic
Welcome to the S.A Community !!
Hope you’ll find a lot to learn & enjoy the site & the forums
Cheers !
that was awesomely cool!
cool tutorial
nice tut
learn heaps
This os an amaxing tutorial thanks sl much lovely sounfds
Ooh, seems to be I’m looking for. A little bit stuck with the beats at the moment
Great video
Looking forward to being able to afford this course lol
So broke
Thank you!
Hello,
What is the purpose of the b return chain sent to the compressor on return track 3, it seems that you do not mention it, there are already two active compressors, one just behind the reverb and the other after the drum rack
Cheers
Jeff
That would be Parallel compression, otherwise known as “New York Compression”.
You’re only sending a portion of the audio to be processed by the compressor placed on the Auxiliary Channel ( Return Track ) allowing you to blend the compressed signal with the dry signal.
Ok for NY Compression and the reverb compressor is side-chained with the kick and is the one on the return track also ?