Prog track I’ve been working on, no FX or drum fills yet, just the arrangement done, let me know what you guys think, any feedback is always more than welcome:
clpheR - AmI by d-aRe
-=D
i like it, some nice melodic elements, kinda reminds of michael cassette which im not sure is good or a bad thing, hes one my my guilty pleasures
fantastic production, love the moogy oldschool basslines! I’m looking forward to hearing it with the drum fills, fx etc. I think you should send this to anjunabeats when finished
Top notch production man loving the progression
I have a moog saw sample, could you explain how you got this sexy warm sound?
great track.must say it reminded me a bit of michael cassette too but no its not a bad thing at all,good work!
@ekko
Yeah I’m totally in a Cassette/Komytea mood when I was making this track man, it more than shows… They frickin rock dude!
@verbala
Thanks man, I’ll be finishing this off for sure at some point, will let you know when the final version is sorted!
@Subject1
Cheers dude, I struggle making more minimalistic stuff, starts off alright but I end up putting too many melodic elements in, can’t help myself!
@tmftrance
Nice one man, this was more of a, let me put my spin on his style? I guess… :w00t:
@TankedMetal
hey man,
A lot of people have asked me about this sound:
Reasonably simple to make though…
3 x OSC’s
OSC 1 = SAW -12
OSC 2 = SAW -11.90 (-12 but detuned +10 cents)
OSC 3 = SAW =0.10 (flat but detuned -10 cents)
AMP ENV
A = 0
D = 75
S = 100
R = 25
FILTER = LOWPASS
CUTOFF = 0 (all the way down) and maybe a touch of resonance if you want.
FILTER ENV
A = 10
D = 40 (or to taste)
S = 0
R = 100
Send amount = 100 (or a little less if you think its too bright)
Unison (4 voices min) and maybe a touch of chorus, and you should be there.
It won’t matter which synth you use as this can be done on practically any! Once I’d got the main patch above I duplicated it twice did a low cut to remove the bottom end and then panned one to the left and the other to the right, this gave it a more stereo sounding feel. Then I resampled my main bass but 1octave lower to give it the grit and subby-ness. All I did was use multiple patchs of the same sound at lower/higher octaves and spread left and right. Then I automated the cutoff slightly on the panned synth’s.
Hope this helps