Haha, good deal! I like that SkyLight song too. Might be a bit on the TRANCY side, but I won’t hold anyone hostage about that. :P:)
[quote]jbachjr78 (16/06/2011)[hr][quote]JamieinNC (16/06/2011)[hr]Nah, considering it’s Bryan and Phil’s website I don’t think that would be appropriate. How about this: When I get some tunes out there, perhaps donate that way by buying them. All this I’m doing with regards to the tutorials and any musical profit I might get in the future from songs and such is going toward charity anyway. So that would be good enough for me, just buy a tune or two when I release something.
J
[/quote]
Good point about Bryan and Phil. Sometimes I forget there are people who man this machine.
I’ll definitely purchase that Sky Light song you’re working on.
Heard it’s brilliant. LOL
All kidding aside, I would definitely like to contribute in some form, so I’d be more than happy to pick up a tune or two.[/quote]
[quote]gavisthename (16/06/2011)[hr][quote]jbachjr78 (16/06/2011)[hr][quote]JamieinNC (16/06/2011)[hr]Nah, considering it’s Bryan and Phil’s website I don’t think that would be appropriate. How about this: When I get some tunes out there, perhaps donate that way by buying them. All this I’m doing with regards to the tutorials and any musical profit I might get in the future from songs and such is going toward charity anyway. So that would be good enough for me, just buy a tune or two when I release something.
J
[/quote]
Good point about Bryan and Phil. Sometimes I forget there are people who man this machine.
I’ll definitely purchase that Sky Light song you’re working on.
Heard it’s brilliant. LOL
All kidding aside, I would definitely like to contribute in some form, so I’d be more than happy to pick up a tune or two.[/quote]
Same here! Will buy a tune … even if its cr@p! :D[/quote]
[quote]JamieinNC (16/06/2011)[hr]Haha, good deal! I like that SkyLight song too. Might be a bit on the TRANCY side, but I won’t hold anyone hostage about that. :P:)
[/quote]
ROFL!
Thanks.:w00t:
I’m hoping the vocals will make it a little more main room. Thinking they can replace that lead towards the end of the song. I’m not completely thrilled with that. I did find a great female vocalist. She follows the trend of Fergie (in sound and not by peeing her pants on stage). Really excited to see what she will bring to the table.
I can’t wait to hear what you come up with for your songs. From just watching the videos I’m sure they will be impressive.
One more thing, the Vintage Warmer 2 has the FAT switch. I have has a play with this and I think there is a really noticeable improvement with it on, but using the VW2 does have a much larger hit on CPU.
This from the PSP site:
[quote]
PSP VintageWarmer2 version 2.5.0 installer contains 3 versions of the plug-in:
PSP MicroWarmer which provides the same sound quality as it’s big siblings, but with a simplified single-band interface and low latency performance optimized for use on individual tracks;
PSP VintageWarmer (LE) which is a direct descendant of the original PSP VintageWarmer with its all strengths such as low resource usage and latency;
PSP VintageWarmer2, the main addition being the FAT double sampling mode for even more analog sounding processing.
We strongly recommend that you use the PSP VintageWarmer (LE) or the PSP MicroWarmer in all multitracking applications except situations where FAT mode is important. The PSP VintageWarmer2 is recommended for mastering purposes and groups or master busses only. [/quote]
So, the big mystery that is the ceiling has got me intrigued so I took a look around to see if I can work out what it is. A lot of people use it like a threashold on a normal compressor. I also find this in the manual which doesn’t explain it, but does add some information.
Still, I can’t for the life of me work out why you can turn it up to +12 - or why anyone would want to :exclamation:
quote The Knee knob sounds like it’s adjusting the Drive control rather than the compression knee. Is this correct?
(A) Imagine that all levels in PSP VintageWarmer are normalized and relative to Ceiling (together with Low, Mid and High Saturation in multi-band mode), which can be considered as a kind of compression threshold control. When the knee is set to low value, only the few dB (or even 0dB) closest to the Ceiling value are compressed, as opposed to when high Knee values are set to compression, which effect the signal when it is as low as 20dB below Ceiling. After that compression signal is normalized so the input 0dBFS value remains 0dBFS. That is why you do not need to adjust output level every time when you change knee (which really affects compression depth than drive). A Drive is only an input level adjustment for compression chain.
(Q) The Saturation levels on the rear panel–—are these thresholds? (A) Yes, they are. Except global Ceiling (which works similar to Threshold control in some points), we added separate adjustments for every band in multi band mode. [/quote]
Hahaha! Best post ever. Yeah, because it WENT THERE…
J
[quote]Roben (16/06/2011)[hr]Naw i welcome the protein[/quote]
Ant:
Interesting about the Ceiling. I just can’t wrap my head around it. I think it has something to do with the output and the master level if used on the master bus, but anything that says “beyond” 0dBFS always makes me a bit nervous. That’s why I’m hoping somewhere along the line an expert in the analog realm can perhaps help explain why that is there.
They’ve clearly got it wrong 'cos everyone knows that all knobs go up to 10, except this one see, it goes to 11.
Nigel Tufnel: The numbers all go to eleven. Look, right across the board, eleven, eleven, eleven and…
Marty DiBergi: Oh, I see. And most amps go up to ten?
Nigel Tufnel: Exactly.
Marty DiBergi: Does that mean it’s louder? Is it any louder?
Nigel Tufnel: Well, it’s one louder, isn’t it? It’s not ten. You see, most blokes, you know, will be playing at ten. You’re on ten here, all the way up, all the way up, all the way up, you’re on ten on your guitar. Where can you go from there? Where?
Marty DiBergi: I don’t know.
Nigel Tufnel: Nowhere. Exactly. What we do is, if we need that extra push over the cliff, you know what we do?
Marty DiBergi: Put it up to eleven.
Nigel Tufnel: Eleven. Exactly. One louder.
Marty DiBergi: Why don’t you just make ten louder and make ten be the top number and make that a little louder?
[quote]jonsloan (16/06/2011)[hr]They’ve clearly got it wrong 'cos everyone knows that all knobs go up to 10, except this one see, it goes to 11.
Nigel Tufnel: The numbers all go to eleven. Look, right across the board, eleven, eleven, eleven and… Marty DiBergi: Oh, I see. And most amps go up to ten? Nigel Tufnel: Exactly. Marty DiBergi: Does that mean it’s louder? Is it any louder? Nigel Tufnel: Well, it’s one louder, isn’t it? It’s not ten. You see, most blokes, you know, will be playing at ten. You’re on ten here, all the way up, all the way up, all the way up, you’re on ten on your guitar. Where can you go from there? Where? Marty DiBergi: I don’t know. Nigel Tufnel: Nowhere. Exactly. What we do is, if we need that extra push over the cliff, you know what we do? Marty DiBergi: Put it up to eleven. Nigel Tufnel: Eleven. Exactly. One louder. Marty DiBergi: Why don’t you just make ten louder and make ten be the top number and make that a little louder? Nigel Tufnel: [pause] These go to eleven.
…Sorry for going off topic[/quote]
HAHAHAHA
One of my top five favorite movies ever and you pull out my favorite quote.
[quote]jonsloan (16/06/2011)[hr]They’ve clearly got it wrong 'cos everyone knows that all knobs go up to 10, except this one see, it goes to 11.
Nigel Tufnel: The numbers all go to eleven. Look, right across the board, eleven, eleven, eleven and…
Marty DiBergi: Oh, I see. And most amps go up to ten?
Nigel Tufnel: Exactly.
Marty DiBergi: Does that mean it’s louder? Is it any louder?
Nigel Tufnel: Well, it’s one louder, isn’t it? It’s not ten. You see, most blokes, you know, will be playing at ten. You’re on ten here, all the way up, all the way up, all the way up, you’re on ten on your guitar. Where can you go from there? Where?
Marty DiBergi: I don’t know.
Nigel Tufnel: Nowhere. Exactly. What we do is, if we need that extra push over the cliff, you know what we do?
Marty DiBergi: Put it up to eleven.
Nigel Tufnel: Eleven. Exactly. One louder.
Marty DiBergi: Why don’t you just make ten louder and make ten be the top number and make that a little louder?
LOL - thats why I used to BJ in gay clubs :D[/quote]
No news there.[/quote]
I don’t want a gig at Roben’s club[/quote]
You’re just jealous cos the moneys good ;)[/quote]
Maybe but you must spend a fortune getting your stomach pumped :w00t:[/quote]
gross haha .[/quote]
I could tell you a true real life story about Marc Almond when I was at one of his clubs he was backing - but this is defiantly the wrong place too tell it
Slen, that is the WORST thing to ever say on a message board, leading us on with a potentially awesome story like that…
It’s like you were performing the most amazing oral on me and then decided to stop and go make coffee… tsk, tsk.
J
[quote]
I could tell you a true real life story about Marc Almond when I was at one of his clubs he was backing - but this is defiantly the wrong place too tell it ;)[/quote]
[quote]Roben (16/06/2011)[hr][quote]jonsloan (16/06/2011)[hr]They’ve clearly got it wrong 'cos everyone knows that all knobs go up to 10, except this one see, it goes to 11.
Nigel Tufnel: The numbers all go to eleven. Look, right across the board, eleven, eleven, eleven and…
Marty DiBergi: Oh, I see. And most amps go up to ten?
Nigel Tufnel: Exactly.
Marty DiBergi: Does that mean it’s louder? Is it any louder?
Nigel Tufnel: Well, it’s one louder, isn’t it? It’s not ten. You see, most blokes, you know, will be playing at ten. You’re on ten here, all the way up, all the way up, all the way up, you’re on ten on your guitar. Where can you go from there? Where?
Marty DiBergi: I don’t know.
Nigel Tufnel: Nowhere. Exactly. What we do is, if we need that extra push over the cliff, you know what we do?
Marty DiBergi: Put it up to eleven.
Nigel Tufnel: Eleven. Exactly. One louder.
Marty DiBergi: Why don’t you just make ten louder and make ten be the top number and make that a little louder?
