I would really appreciate some advice on how to make the lead sound on Tom Demacs Critical Distant track.
The whole track is built around the sound, it kicks in at 1:50.
Sounds Like a Pulse with a sub with LFO filter and slow portamento.
I would really appreciate some advice on how to make the lead sound on Tom Demacs Critical Distant track.
The whole track is built around the sound, it kicks in at 1:50.
Sounds Like a Pulse with a sub with LFO filter and slow portamento.