I was checking my stereo Image r. and i noticed that cancels the stereo image . the correlation graph showed me that every time the kick plays my whole track becomes from stereo to Mono .
just to test it out my stereo again , using the chemical brothers cd :P.
and it the Correlation Graph showed that it have full stereo image.
so can anyone help me out to figure this out??
My first guess would be that you have too many of your other elements side-chained to your kick. If anything besides your bass is attached to it, the kick can become a sound-vortex. I would release everything from your kick except elements below 200 Hz and see if that cleans it up a bit.
Are you using Ozone’s correlation meter?
J
[quote]alinenunez (21/08/2011)[hr]I was checking my stereo Image r. and i noticed that cancels the stereo image . the correlation graph showed me that every time the kick plays my whole track becomes from stereo to Mono .
just to test it out my stereo again , using the chemical brothers cd :P.
and it the Correlation Graph showed that it have full stereo image.
so can anyone help me out to figure this out??
[/quote]
I dont think its a prob if everything is mono when your kick hits. If you kick is a mono sample then its to be expected.
Especially if your using a powerful kick… And as jamie says if you have a lot of side chaining happening this will also contribute.
If it sounds right then thats all you need to worry about.
yes . thanks guys , removing the side chain send helped alot. i also lowered the volume on the kick . and seem that i have some stereo signal.
still compared to a professional track my track lacks more stereo movement. i added a stereo enhancer and helped some . but still i want to learn how the professional tracks manage to have a wide stereo spectrum .
but thanks Phill and Jamie you definitely helped me with this issue. 
That’s an easy one to answer: They send their tunes to professional mastering engineers.
[quote]alinenunez (21/08/2011)[hr] but still i want to learn how the professional tracks manage to have a wide stereo spectrum .
[/quote]
[quote]JamieinNC (22/08/2011)[hr]That’s an easy one to answer: They send their tunes to professional mastering engineers.
[quote]alinenunez (21/08/2011)[hr] but still i want to learn how the professional tracks manage to have a wide stereo spectrum .
[/quote][/quote]
True
so much to learn .